Here whilst we walk is perhaps best understood as a temporary collectivity, an engagement between participants, performers (and participants as performers) and the labyrinthal alley-ways of the Lisbon’s oldest remaining streets in the Alfama quarter.
"...Walking silently and without the shield of a camera also confers a sense of respect: given that we can not click and save the moment for the future, the perfomance forces us to be here......I am caught between waiting an acting. I see this as an opportunity to explore the sphere of responsibility of ourselves as audience........ Being "here whilst we walk" was both dislocating but also an experience of being attentive to the occurring present. As I further fumble with the kites strings, somewhat peeved with my lack of coordination, a little voice cuts through my impatience and asks: How here can we actually be? (Wietske Maas)