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"Familiarising Zagreb audiences with artistic production in Novi Sad during the '60s and '70s is needed because these initiatives are part of the common history, but today they do not resonate in the 'official' history of art in Croatia...Instead of a demonstration of influence, the point is to show the desire to go on with certain forms of experimentation, to take the paths that others had opened, to take it as the path of the very possibility to see, or to feel, or to move — and then to go elsewhere, by following that same path which has become the ground or the clearing of the present." (Zoran Pantelic, kuda.org)

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