Their collaboration-exchange is not without difficulty. It's outcome is unclear since it is not a pragmmatic artistic intervention with defined, representable results. Rather, the weekly swap tries to it excavate more fundamental problems at play in the exisiting order of funder-funded relationship. While Jeanne gives her views in managerial meetings from the standpoint of her experiences in working as an artist, Igor works in the 'emptiness' of the Blue House. This continual collaboration hopes to prise open a much-needed interaction between NGOs and artist and to pave a hospitable (and this means a non-determined) space that breaks through a 'representation' of cultural diversity demands the possibility for artists and foundations to enter a veritable and not just symbolic exchange.