Archive for June, 2010
final discussion with Maria Lind, Ana Dzokic, Marc Neelen and participants
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
talk: Tone Hansen
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
Odile Chenal and Jeanne van Heeswijk in conversation with Maria Lind
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
talk: Milena Hoegsberg
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
talk: Jan Debbaut
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
introduction Maria Lind and Anna Livion Ingvarsson
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]
talk: Dieter Bogner
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art […]