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	<title>ALMOSTweb</title>
	<link>http://www.almostreal.org</link>
	<description>ALMOSTWeb is a living web depository for ALMOSTREAL - an experimental project about artistic collaboration and exchange as an advanced form of intercultural practice. ALMOSTREAL is initiated and supported by the European Cultural Foundation.</description>
	<lastBuildDate>Fri, 06 Aug 2010 15:59:34 +0000</lastBuildDate>
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	<item>
		<title>PHOTO ARCHIVE Mountains of butter, lakes of wine</title>
		<description><![CDATA[A selection of images of the conference &#8216;Mountains of butter, lakes of wine&#8217; is now available on ALMOSTweb. The photo&#8217;s are made by Wietske Maas and STEALTH.unlimited.
]]></description>
		<link>http://www.almostreal.org/2010/08/01/photo-archive-mountains-of-butter-lakes-of-wine/</link>
			</item>
	<item>
		<title>Political Practices of (Post-)Yugoslav Art: RETROSPECTIVE 01</title>
		<description><![CDATA[

The exhibition Political Practices of (Post-)Yugoslav Art: RETROSPECTIVE 01 presents a cluster of independent researches that deal with the cultural heritage of socialist Yugoslavia through specific examples and concrete analyses of art practices within the institutional, political and social contexts in which they were being shaped. The common starting point of the exhibition – as [...]]]></description>
		<link>http://www.almostreal.org/2010/07/15/political-practices-of-post-yugoslav-art-retrospective-01/</link>
			</item>
	<item>
		<title>ONLINE ARCHIVE Mountains of butter, lakes of wine</title>
		<description><![CDATA[The complete video archive of the conference &#8216;Mountains of butter, lakes of wine&#8217; is now online at ALMOSTweb. You can watch or download the video&#8217;s here.
There is also a selection of images of the conference available.
]]></description>
		<link>http://www.almostreal.org/2010/07/14/online-archive-mountains-of-butter-lakes-of-wine/</link>
			</item>
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		<title>final discussion with Maria Lind, Ana Dzokic, Marc Neelen and participants</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-final-discussion-with-maria-lind-ana-dzokic-marc-neelen-and-conference-participants/</link>
			</item>
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		<title>talk: Tone Hansen</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-tone-hansen/</link>
			</item>
	<item>
		<title>Odile Chenal and Jeanne van Heeswijk in conversation with Maria Lind</title>
		<description><![CDATA[
Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-odile-chenal-and-jeanne-van-heeswijk-in-conversation-with-maria-lind/</link>
			</item>
	<item>
		<title>talk: Milena Hoegsberg</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-milena-hoegsberg/</link>
			</item>
	<item>
		<title>talk: Jan Debbaut</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-jan-debbaut/</link>
			</item>
	<item>
		<title>introduction Maria Lind and Anna Livion Ingvarsson</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-introduction-maria-lind-and-anna-livion/</link>
			</item>
	<item>
		<title>talk: Dieter Bogner</title>
		<description><![CDATA[Conditions for funding of contemporary art have changed rapidly, but we are rarely aware of exactly how. Lack of knowledge and misconceptions about these issues abound, making constructive discussions difficult.Where lies the land in terms of public and private funding for contemporary art, mainly within a European context, and what repercussions this has on art [...]]]></description>
		<link>http://www.almostreal.org/2010/06/30/conference-video-dieter-bogner/</link>
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